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| The upbeat orchestra returns- Chepin-Choven |
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by Omar Vázquez
Photos: Roberto Bello e CREART
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From my teenage years I remember a group of friends I traveled
to Santiago de Cuba with, and we went to listen to a live performance
of the Chepin-Choven Orchestra and its singers Roberto
Napoles and Isidro Correa. It took place in the CADENA
ORIENTAL DE RADIO (radio station). Without dreaming of becoming
part of the artistic world, and although interested but unaware,
I fell for that group's music.
A format based on timbal (kettledrum), bass and piano, in ad-diction
to just one trumpet and a saxophone in those times produced a wonderful
tumbao. They later extended their format and I continued to enjoy
each note of "El platanal de Bartolo", "Bodas
de oro" -memorable numbers by the orchestra, penned by
Electo Rosell-, or "Azabache" and "Qué
diran ustedes", by Roberto Nápoles himself. |
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After some time, they wanted to change the orchestra's style
and that was one of the reasons for their breakup, until the Chepín-Chovén
Orchestra was again formed in 1972. Roberto Nápoles played
a comely leading role in that.
This is a story that began in 1932 when the composer and violinist
Electo Rosell -known as Chepin- together with Bernardo
Chovén, organized the renowned orchestra that played
for twenty-five years under his baton. Author of the boleros "Murmullo"
and "Elba"; of the danzones "Boda de oro",
"Diamante Negro" and "Reina Isabel";
of the guaracha "El platanal de Bartolo"; the band
made possible to launch these and other works that went beyond our
frontiers. "Murmullo", with the title of "Susurrando",
was even included in a North American film starring Bing Crosby. |
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And to give an end to this story, we talked with José
Ramón Hernandez, its current director.
Is your present offer attractive? Does it follow the legend of Chepín-Chovén?
Although the format has changed, it still has the same timbre that
made it popular. As an example, there's the CD Chepineando
that we recorded at EGREM´s SIBONEY STUDIOS. It has been encouraging
to see children and youngsters dancing with us. The orchestra is
in a good moment, with young mem-bers who are technically very well
prepared.
Today, almost five decades later, when I again hear the legendary
orchestra, I'm sure that the new generations will continue to fall
for the music made by Chepin-Choven.
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